Foremost contenders for the Society of Composers & Lyricists’ 2025 SCL Awards embrace “Emilia Pérez” composers Clément Ducol and Camille, who picked up three nominations, for his or her score and for two genuine songs from the musical drama. Matching that amount as an individual was Atticus Ross, whose three nominations are break up between his scoring work on “Shōgun” and a music for “Challengers.”
The SCL’s nominations in eight film, television and interactive media lessons had been launched Wednesday morning, with the awards program scheduled to occur in Los Angeles on Feb. 12. Scroll all the best way right down to see the entire guidelines of nominees.
The org’s annual Spirit of Collaboration Award shall be given on the event to composer Harry Gregson-Williams and director Ridley Scott, in honor of an ongoing partnership that has resulted in “Gladiator II” being their seventh film collectively. Closing 12 months the similar award went to Martin Scorsese and the late Robbie Robertson.
The revealing of nominees for the SCL’s film scoring and music lessons comes sooner or later after the Academy launched a shortlist winnowing down the contenders in comparable lessons. As anticipated, there could also be necessary overlap with the Oscar music division’s preliminary picks of 20 scores and 15 songs, however as well as some recognition for contenders that the Academy has already handed over.
The SCL splits its film score contenders into two lessons of six nominees each, for studio and neutral films. Among the many many films that made it into rivalry for the SCL Awards that are moreover on the Oscars’ shortlist are the studio films “Emilia Pérez,” “Gladiator II,” “Wicked,” “The Wild Robotic” and “Conclave” and the indie film “The Brutalist.” The SCL moreover made room for the studio film “Dune: Half Two,” which was disqualified from Oscar rivalry, along with the indie film nominees “Heretic,” “Meet Me Subsequent Christmas,” “Proper right here After,” “Winner” and “The E book of Jobs.”
On the songs entrance, the SCL divides points up between genuine compositions for dramatic films and for musicals or comedies. Being a musical, if hardly a comedy, “Emilia Pérez” landed inside the latter self-discipline and scored two SCL nominations for Clement Ducol and Camille for his or her songs “El Mal” and “Mi Camino,” reflecting Netflix’s choice to submit every tunes as a substitute of steering all the awards weight in direction of just one. Every these songs are moreover on the Oscars’ shortlist.
Totally different songs to make the SCL nominees guidelines after making the Oscars’ shortlist are “The Journey” from “The Triple Six Eight,” by Diane Warren; “Under no circumstances Too Late” from “Elton John: Under no circumstances Too Late” by John, Brandi Carlile, Bernie Taupin and Andrew Watt; “Winter Coat” from “Blitz,” by Nicholas Britell, director Steve McQueen and Taura Stinson; “Previous” from “Moana 2,” by Abigail Barlow and Emily Bear; “Out of Oklahoma” from “Twisters,” by nation star Lainey Wilson, Luke Dick and Shane McAnally; “Forbidden Freeway” from “Increased Man,” by pop star Robbie Williams, Freddy Wexler and Sacha Skarbek; and “Compress/Repress” from “Challengers,” by Trent Reznor, Atticus Ross and director Luca Guadagnino.
Notably, the SCL nominations embrace a nod for the Miley Cyrus-sung and co-written “Pretty That Strategy,” from “The Closing Showgirl,” which didn’t make the Academy’s shortlist. The others to make the SCL’s guidelines nevertheless not the Oscars’ are “Outdated Tom Bombadil” from the model new “Lord of the Rings” movie and “Let’s Put the Christ Once more in Christmas” from “The Boys.” Within the meantime, the Academy found shortlist room for songs from “Kneecap,” “Mufasa: The Lion King,” “Piece by Piece,” “Sing Sing,” “The WIld Robotic” and “Will & Harper” that didn’t wind up as SCL nominees.
The entire guidelines of 2025 SCL Awards nominees:
Glorious Distinctive Ranking for a Studio Film
Clement Ducol, Camille – ‘EMILIA PEREZ’ (Netflix)
Hans Zimmer – ‘DUNE: PART TWO’ (Warner Bros. Photographs / Legendary Photographs)
Harry Gregson-Williams – ‘GLADIATOR II’ (Paramount Photographs)
John Powell, Stephen Schwartz – ‘WICKED: PART 1’ (Widespread Photographs)
Kris Bowers – ‘THE WILD ROBOT’ (DreamWorks Animation)
Volker Bertelmann – ‘CONCLAVE’ (Focus Choices)
Glorious Distinctive Ranking for an Unbiased Film
Chris Bacon – ‘HERETIC’ (A24)
Daniel Blumberg – ‘THE BRUTALIST’ (A24)
Dara Taylor – ‘MEET ME NEXT CHRISTMAS’ (Roberts Media)
Fabrizio Mancinelli – ‘HERE AFTER’ (Artina Films, ClaRo Productions, Fenix Leisure, Hopscotch Photographs)
Heather McIntosh – ‘WINNER’ (Large Seaside, One Neighborhood, Scythia Films, ShivHans Photographs)
Stephanie Economou – ‘THE BOOK OF JOBS’ (Bull’s Eye Leisure, Rebellium Films)
Glorious Distinctive Observe for a Dramatic or Documentary Seen Media Manufacturing
Andrew Wyatt, Lykke Li, Miley Cyrus – “Pretty That Strategy” (from ‘THE LAST SHOWGIRL’) (Utopia Media, Extreme Frequency Leisure, Pinky Promise, Detour, Digital Ignition Leisure)
Bear McCreary – “Outdated Tom Bombadil” (from ‘THE LORD OF THE RINGS: THE RINGS OF POWER’) (Amazon MGM Studios in affiliation with New Line Cinema / Prime Video)
Christopher Lennertz – “Let’s Put The Christ Once more In Christmas” (from ‘THE BOYS’) (Prime Video)
Diane Warren – “The Journey” (from ‘THE SIX TRIPLE EIGHT’) (Netflix)
Elton John, Brandi Carlile, Bernie Taupin, Andrew Watt – “Under no circumstances Too Late” (from ‘ELTON JOHN: NEVER TOO LATE’) (Disney Branded Television, This Machine Filmworks, Rocket Leisure)
Nicholas Britell, Steve McQueen, Taura Stinson – “Winter Coat” (from ‘BLITZ’) (Apple Distinctive Films)
Glorious Distinctive Observe for a Comedy or Musical Seen Media Manufacturing
Abigail Barlow, Emily Bear – “Previous” (from ‘MOANA 2’) (Disney)
Clement Ducol, Camille – “Mi Camino” (from ‘EMILIA PEREZ’) (Why Not Productions, Net web page 114, Pathé, France 2 Cinéma, Saint Laurent Productions)
Clement Ducol, Camille, Jacques Audiard – “El Mal” (from ‘EMILIA PEREZ’) (Why Not Productions, Net web page 114, Pathé, France 2 Cinéma, Saint Laurent Productions)
Lainey Wilson, Luke Dick, Shane McAnally – “Out of Oklahoma” (from ‘TWISTERS’) (Widespread Photographs)
Robbie Williams, Freddy Wexler, Sacha Skarbek – “Forbidden Freeway” (from ‘BETTER MAN’) (Paramount Photographs)
Trent Reznor, Atticus Ross & Luca Guadagnino – “Compress/Repress” (from ‘CHALLENGERS’) (Amazon MGM Studios)
Glorious Distinctive Title Sequence for a Television Manufacturing
Atticus Ross, Leopold Ross, Nick Chuba – ‘SHŌGUN’ (FX Group)
Blake Neely – ‘MASTERS OF THE AIR’ (Apple TV+)
Carlos Rafael Rivera – ‘GRISELDA’ (Netflix)
Danielle Ponder – ‘MANHUNT’ (Apple TV+)
Jeff Toyne – ‘PALM ROYALE’ (Apple TV+)
Nami Melumad – ‘DREAM PRODUCTIONS’ (Pixar Animation Studios / Disney+)
Glorious Distinctive Ranking for a Television Manufacturing
Atticus Ross, Leopold Ross, Nick Chuba – ‘SHŌGUN’ (FX Group)
Bear McCreary – ‘THE LORD OF THE RINGS: THE RINGS OF POWER’ (Amazon MGM Studios in affiliation with New Line Cinema / Prime Video)
Blake Neely – ‘MASTERS OF THE AIR’ (Apple TV+)
David Fleming – ‘MR AND MRS SMITH’ (Amazon MGM Studios)
Finneas O’Connell – ‘DISCLAIMER’ (Apple TV+)
Jeff Toyne – ‘PALM ROYALE’ (Apple TV+)
Glorious Distinctive Ranking for Interactive Media
Gordy Haab – ‘INDIANA JONES AND THE GREAT CIRCLE’ (Machine Video video games, Bethesda Studios, Lucasfilm Video video games)
Nainita Desai – ‘TALES OF KENZERA: ZAU’ (Surgent Studios, EA)
Wilbert Roget, II – ‘STAR WARS: OUTLAWS’ (Big Leisure, Ubisoft)
Winifred Phillips – ‘WIZARDRY: PROVING GROUNDS OF THE MAD OVERLORD’ (Digital Eclipse)
David Raksin Award for Rising Experience
Andrea Datzman – ‘INSIDE OUT 2’ (Disney/Pixar Animation Studios)
Emily Rice – ‘BROKEN BIRD’ (Catalyst Studios, Mitchell-Brunt Films)
Katya Richardson – ‘MOTORCYCLE MARY’ (Breakwater Studios)
Nikhil Koparkar – ‘DEAD WHISPER’ (Howlin’ Hounds Photographs, Brothers Gran Productions)
Robin Carolan – ‘NOSFERATU’ (Focus Choices)
Wei-San Hsu – ‘INVISIBLE NATION’ (100 Chapters Productions, Double Hope Films, Seine Photographs)
